I think most quilters have a soft spot in their heart for scrap quilts. They were the first antique quilts that I responded to long ago. I now know why. Even then, I loved quilts that had large variety of prints in them and I think they reminded me of the resourcefulness of women that made very functional items from ordinary scraps. We since have moved into an era of some pretty wonderful collections of beautiful fabrics and have many choices of “scraps” to use for scrap quilts.
Scrap Ease, found in my new book, Quilts with a New Attitude, is now my very favorite scrap quilt. The book shows it in a queen size made from Thimbleberries fabrics and a throw size made in a coordinated collection from Cotton+Steel. The piecing is easy, the cuts are big and the overall design very pleasing. It has no border so it is to adjust the size if you need something other than the two sizes included in the book. I just keep wanting to make more of this quilt design. It would be so fun made in baby or kid prints….and Christmas prints and Halloween prints and the list goes on. A simple machine quilting design works well on this quilt.
Here is another version of the Scrap Ease made in another, rather wild collection of scraps.
When piecing the units for one portion of the quilt, you will get pairs of triangles that are trimmed off and technically waste. I used my leftover triangles to make this narrow, long runner….I love it.
My new book, Quilts with a New Attitude has arrived and is available from Landauer Publishing and hopefully at your local quilt shop. This was a fun book to work on using traditional quilt designs and showing them in both traditional and modern fabrics. I am convinced that a good, well written quilt pattern works for all fabric preferences. Thimbleberries patterns have always been the “go to” for teaching new quilters. Showing the quilts made in a variety of fabric collections helps everyone imagine the possibilities.
Throughout the book, each quilt was made using vastly different fabrics. In some cases the same block was used but half sized. In some cases, the same blocks were used but sashing and borders were eliminated and in many cases an alternate size quilt dimension was the result. A touch of appliqué now and then also changed the flavor of the quilt. Below is large Autumn Crescendo with appliqué and the second one is a half size version with wool appliqué.
Following, the Citrus Crush quilt used very bright hot pink and orange prints. A stark contrast to the traditional version using the same block and quilt design as the Autumn Crescendo quilt. This makes the book a treasure of multiple projects.
I worked with my fabrics for the traditional quilts and used a variety of prints from the Cotton+Steel collection for the modern versions of the quilt designs. Many of the quilts have already found homes to nestle into to add that charm only a quilt can give to a room.
As usual the blocks that were used for the quilts are simple. The instructions are illustrated in color and so easy to follow. A great example of the versatility of the quilts in this book involves the Very Merry Tree Skirt and the Black, White and Bright crib quilt. Both use the same block construction However, the tree skirt used the 8 inch block and the crib quilt used the same block but half sized at 4 inches. The tree skirt used traditional red and green fabrics and the crib quilt used a large variety of black and white fabrics with a variety of solid bright colors. The piping on the Black, White and Bright quilt is a unique mix of two different sized checked fabrics…a nice detail on this small quilt.
Here you see the Black, White and Bright quilt on my daughters new gray tweed couch. It is a perfect accent to her contemporary room adding a bold, bright accent. The Very Merry Tree Skirt has been tucked away for her tree next holiday season. It will be a perfect Thanksgiving surprise to kick off the holiday season.